Film Review – Antaheen (Bengali)

Once while zapping through the channels late at night I had chanced on this very unusual film. When I started watching it nearly half of it was over, so I was curious to know how the story starts. When I got the DVD I could barely wait to start watching it.

The film is about relationships, about the nature of love and about how we express our feelings. But, of course it is an urban story. There are several couples and each couple lives its relationship in a different way. The older couple lives apart but is very much connected. The young couple is connected through e-mails with but does not even know who the other person is. Then there is the elderly aunt, played very successfully by Sharmila Tagore, who also has never seen the man she had a relationship with. Most intriguing, like an abstract painting, is the relationship between Mr. and Mrs. Mehra, who are together but unhappily together.

Relationships in our modern world are not the same as they were a couple of decades earlier. Relationships are based on communications and in an age when the world has undergone a revolution in communications relationships are sure to follow. Naturally, mobile phones and e-mails play an important part in the story. These modern means of communications have made it possible to live with someone only in spirit. The whole meaning of companionship takes on a different colour. The film is a comment on the love that does not need physical proximity, or the love that exists beyond physical proximity.

In this story people are defined by their work. But interestingly the women are shown more at work while the men are shown in their moments when they are not working. It is this situation of work and life that criss-cross which makes the story interesting.

Rahul Bose is an extraordinary actor and this film has made good use of his talents. It is a delight to watch Aparna Sen. In fact, the casting is perfect. The script is tight and crisp, with many interesting observations by the various characters. The storyline, of course, has similarities with the Tom Hanks starrer “You’ve Got Mail”.

Although the story has a tragic end it does bring home the point of ephemeral nature of all human relationships. Live your love to the fullest because you never know when it will go away.

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Spring in London

Regent's Park, London

Magnolia flowers, London

Tulips, London

Cherry blossom, London

Cherry blossom, London

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Easter

The cyclone which hit Pondy on 29th December last year brought so many trees down. One of them was the beautiful frangipani tree which used to be in Nanteuil, just next to the glass doors of our old Golden Chain Office. I used to love picking those flowers and looking at their lovely forms against the blue sky when they were clustered in bunches on the branches.

Naturally, I was very sad to see the broken tree. Soon the entire tree was cut down and the branches were piled up to be taken away. I picked up a few of those branches and took them home and re-planted them. Some in pots and some on the ground. To my utter surprise, two weeks ago, I saw buds on two of those plants and soon after the beautiful flowers appeared on those tiny branches. Strangely, the flowers were really small, almost miniature ones.

I am absolutely in awe before this phenomenon in nature. After that terrible onslaught of fury and devastation everything is regenerated, as if with a redoubled energy. That old tree had been a friend, had watched me as I typed away late into the evening, or just come in and go out from the back of the office to save time. And one day it was struck down and died and was even chopped up into little pieces. And today it lives again, stretching out to me its bunch of flowers, in my own balcony.

As I write this I realise that it is Easter Sunday! The very day to celebrate this phenomenon of regeneration, the Spring Equinox, even before Christianity was born.

May we learn something from this. The Divine is sending us messages that we can pick up if we keep our eyes and ears open.

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Alexandra David-Neel: the film

At last, we had the much-awaited screening of the film on Alexandra David-Neel’s journey to Lhasa. Although it was held very quietly this was actually the very first screening anywhere in the world.

For a long time we had thought that the lead actress Dominique Blanc was going to be present at the premiere but in the end she could not make it. Fortunately the director Joel Farges was there to present his film and speak about his experience of making it.

In spite of all the difficulties faced during the shooting it has turned out to be a beautiful piece of work. Dominique Blanc, with her years of experience and her natural grace, carries this film on her shoulders. It is a pleasure to watch her, to see her face shining with an inner strength. Particularly well-done is the scene where she meets Sri Aurobindo. The cinematographer has really put in a lot of thought into the images of this sequence.

All the scenes shot in the Himalayas are of an extraordinary beauty and Alexandra’s quest is shown a very moving way. The little Tibetan boy who played Yongden as a little boy has done a good job and the relationship between him and Alexandra is brought out with little touches of humour.

I can not look at the film dispassionately because I have seen the filming and especially the scenes where I am myself there I keep thinking of how we shot them when I watch them on the screen. My character, Uma, is an invented one. Even though the story of Alexandra spending a month in a private house in Kolkata is true, we don’t know who the hosts really were. All I can say is that this character brings out Alexandra’s thoughts on marriage and relationships in general. What Alexandra says to Uma gives us a view into Alexandra’s mind and her feminist views.

Surprisingly, in an age when travel has become so easy and is considered a pleasure, there are so many people who look up to Alexandra David-Neel as an icon and a heroine.
Behind her difficult journey lies her spiritual quest, her desire to know the invisible occult world and her great respect for Buddism.

This film will be officially released in France at the end of March 2012 and will be telecast on ARTE channel on 1st June. These dates should be put down on every cinema lover’s diary. Although it was initially made for television this film should be ideally seen in the big screen to get the full enjoyment of the beauty of the panoramic views shot in Sikkim and Ladakh.

Dominique Blanc as Alexandra David-Neel

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Oscar Night

I woke up a bit late on 27th and found that I had missed the first one hour of the Oscar ceremony but once I found the channel which was telecasting it live I could not leave my seat. It was really well presented by Billy Crystal and the awards were mostly what had already been predicted by many.

My favourite moment was when Meryl Streep got her award. She has been my favourite actress ever since I first saw her in Out of Africa. She has such a presence that she draws everyone’s attention just by being there. The most difficult thing for an actor is to portray a real person on screen, especially if that person is well-known and is still alive.

I was very happy for the awards that went to The Artist. The French have a passion in everything they do that makes them such good film makers. Actually, the Lumiere brothers invented cinema, so the French have a claim to the top slot in the world of moving pictures that no one can take away.

I am a faithful fan of Brad Pitt and was a bit disappointed that he didn’t pick up any of the statuettes. I read that he and Anjelina Jolie had been at the venue since the early hours of the morning, so it must have been a bit sad for Brad not to have received any awards. I watched Terrence Malick’s Tree of Life and even though I liked it I knew it would not get any votes as far as Oscars were concerned. The film was so unusual and so philosophical that it may not be everybody’s cup of tea.

One of the journalists on BBC said that she found the reactions of some of the winners of the awards a bit too much, “over the top” as she said. But really can one ever understand what happens to the person who is given so big an award? I think the reactions of actors can only be dramatic because, after all, they live in their emotions. When so many cameras are relaying that moment to countries across the globe, when one is handed the award that every single person who is in any way connected to the world of cinema dreams of receiving, can one remain unmoved?

I would go so far as to say that I found Cristopher Plummer extraordinarily composed when his name was announced for the award for the best supporting actor. For those who may not know, he is the actor who played the father to those naughty children in The Sound of Music. Imagine being such a popular actor for so many years and receiving an award only this year. As he very wittily said, “Where have you been all these years?” looking at the trophy.

I am sure I will find the first part of the ceremony, which I missed, on some channel or the other and catch up with all those funny things that Billy Crystal said and which I have only read in the papers. Only a very good actor can maintain a poker face after having cracked a really good joke. Billy Crystal said that Meryl Streep deserves an Oscar for looking as if she was really happy that someone else won an Oscar every time she was nominated and didn’t win. But he himself deserves an Oscar for not laughing at his own jokes.

The Artist film

Meryl Streep

The Oscars 2012

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The traffic in Pondicherry

Last night we went for dinner to a new restaurant in the far end of Mission street, where it touches Bussy Street. It served supposesdly Italian cuisine but actually it is adapted to Indian tastes – much like Indian Chinese cuisine. We came out and before going home wanted to try out the chocolate shop across the street, owned by one of my former students Srinath.

Sadly, it took us almost five minutes to cross this narrow strip of road. It used to be a place some years ago where there was not a soul and one used to feel a bit scared even to walk alone in that area. But last night we felt we were risking our lives to take those ten steps to cross to the other side of the road. There were so many motorcycles that zipped past us, in that badly-lit road, that we had to stop in the middle and wait. The speed at which they were coming at us was frightening. No one wanted to slow down and let the two pedestrians pass.

Thousands of illiterate and semi-educated young men in Pondicherry now own big powerful motorcycles. But no one knows the first thing about how to use the roads. Just having money isn’t going to solve anything. As I said, ignorance is a form of poverty.

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Why India will never be a superpower

While everyone is thinking that India is surging ahead and will soon be a country of great economic prosperity the view from my window tells me that it will never be that.

Days after the cyclone that hit Pondicherry there was a huge pile of garbage that collected in front of my house and no one came to remove it. Days went by and it just got bigger. I ran from person to person asking them to do something. I was very intrigued to see that municipal workers were actually coming but the pile got bigger until I realised that they were bringing garbage from elsewhere and dumping them on the pavement opposite my house. There are no front doors on that pavement and my neighbours feel they can throw their garbage in front of someone’s backdoor and along that entire pavement.

Finally, a call to the municipal contractor who is in charge of our area brought a small group of women in their uniforms who picked up only a small part of the huge pile and left.

The next day a tractor came and instead of picking up the garbage the two men who had come switched on their FM radio and listened to Bollywood songs in full blast and rested in the shade. When they left they picked up a very small part of the rotting pile. Women from my neighborhood, in their shining saris and heavy gold necklaces, came one after the other to throw their vegetable peels and the empty cartons of cereals on the hill of garbage that had started stinking. They gave me a blank look when I told them that they should throw their garbage in the bin provided further up the road.

A friend gave me the phone number of the municipal commissioner and when I called him he asked me to give a complaint in writing. He must have called up the concerned contractor and pulled him up because within a couple of hours the entire pavement was cleaned. There wasn’t even a piece of paper there. For three weeks I couldn’t open my front door because of the stench from the piling up garbage right in front and it was only after complaining to the highest officer that I managed to get that cleared.

There is enough money for garbage collectors to listen to FM radio and housewives to wear gold necklaces that weigh half a kilo but there is no awareness that garbage cannot be thrown on pavements which are supposed to be for people to walk on. Most of all there is no courtesy towards a neighbour.

Just having money doesn’t change anything. Ignorance is the greatest poverty.

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The Curious Case of Benjamin Button

Watching the curious case of Benjamin Button, I can’t help exclaiming to myself “What a fantastic actor Brad Pitt is.” Some months back, while flicking through the channels on television, I chanced on this film. When I started watching it was already somewhere in the middle. Even though I watched only the second half I found it really interesting. Now I am watching it from the beginning. So it feels as if I am watching the film backwards. It’s a curious case of watching The Curious Case backwards.

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A New Year begins

What a way to start the New Near! The cyclone that raged through the night of the 30th kept us awake much of that night. It was much more terrifying than the one we had experienced in November 2000. In the clear light of the morning we saw the destruction. In the boulevard area, specially in the old French town, the main damage was caused by fallen trees. The sight of old massive trees fallen across the roads was akin to watching a battlefield where old warriors had died after fighting valiantly. Perhaps it is a lesson that it is not a good idea to plant trees on pavements in a town which wasn’t designed for it.

The feeling in many hearts is that it is a warning sign. To others it is the Divine telling us in a symbolic way that there is always destruction before a new creation. Something in us must make a new beginning.

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Review of ‘Mausam’

There was not much choice at the DVD shop when I went there last week, so I got a DVD of Mausam. The irritating thing is that there is a very good film by that same name which was made ages ago and one can’t help remembering it the moment one pronounces the name. It brings back flashes of scenes with Sharmila Tagore and Sanjeev Kumar.

This new film will not be remembered like the old one is for many reasons. It tries too hard to be a fantastic love story. That kind of story-telling is gone and the young viewers can’t relate to those emotions any more. The story is fine. Many critics have said that the story is hard to believe because in this day and age you can’t lose track of someone. Actually you can. And this story is set in the 1990s when instant connect didn’t exist. What doesn’t quite come off is the chemistry between the characters.

The one thing that really makes me laugh outright is the way Sonam Kapoor goes to Scotland and becomes a ballet dancer. I wish I could go to Pankaj Kapoor and tell him classical ballet isn’t Odissi. You can’t just go from rural Punjab at the age of twenty and become a ballet dancer in a dance academy in Edinburgh. Ballet requires years of training from childhood. A dancer’s body is formed by years of exercises and practice. There are movements you just can’t do if you haven’t done it from age 7 or 8. A young woman of twenty or more who has never done any physical activities will never ever be able to do a single sequence of the barre exercises. A woman who was all wrapped up in sawar-kameez and dupatta till early adulthood can not suddenly get into tights and tutus.

And the scenes of ballroom dancing! I couldn’t take that either. I have seen young Indian women who have grown up in Britain and who still look at ballroom dancing as something obscene. A muslim family in this film goes totally western within a couple of years of coming to Scotland looks too far-fetched when they haven’t been through a western education.

Why do directors go into territories that are totally alien to them? Why don’t they do a bit of research at the script level?

I know that the name “Mausam” will only evoke the old film in my mind. This film will always bring back to my mind the hilarious scenes of Sonam Kapoor trying to do ballet!

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The shooting of the film on Alexandra David-Neel

The film on the life of Alexandra David-Neel is taking a while to be ready for release. The post-production work is taking longer than expected and now it seems that it won’t be released before the end of December. A whole month to go.

A few of us had the chance of seeing the rushes of the first part in summer this year. The scenes shot in Sikkim are really impressive. The scenes in the snow have been shot with such an artistic eye that it’s a visual delight. The costumes of the scenes shot in Sikkim are also very well done. The costume designer Edith was really a perfectionist and had done her research thoroughly before coming to Pondicherry. Unfortunately the same can not be said of the Indian woman who was in charge of the Indian costumes in other scenes.

If only there were proper training institutes in India where people could learn how to be historically accurate where costumes and accessories are concerned.

The thing which impressed me most about the work done by Edith was the way got shoes made for each and every character as well as for the extras. There were fifty pairs of shoes, all carefully hand-stitched. And no one was ever going to see the ones worn by the ladies because they wore long dresses that touched the floor.

This is something India could learn from.

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The Mandir Annual

The annual publication of the Pathamandir in Kolkata is out. Popularly known as the “Mandir Annual”, it is a magazine of high calibre and has been coming out since the 1940s. I remember seeing copies of the magazine in my father’s bookshelf. I also remember Kishore Gandhi sometimes informing me of certain essays by prominent writers being first published in the Mandir Annual. It is a matter of great honour for me that this time one of my own essays is included in it.

The volume has selections from the writings of the Mother and Sri Aurobindo and they are well-chosen. The pages that follow have pieces by various well-known writers but the essay by Ranajit-da has a special importance as he is now no more.

Ranajit-da grew up in the Ashram along with his brothers and sister who were our teachers and coaches. He left the Ashram some time in the 1960s to follow higher studies in Europe. Soft-spoken and gentle, he was loved and respected by everyone. We did not see much of him but his presence was felt in the Ashram circle because he wrote so regularly for various publications. He also wrote the plays which were staged by his sister, Namita-di, and in which students and teachers participated.

The contribution of Shraddhavan to this issue of the Mandir Annual is actually the transcript of a conversation which took place in her class. It is an interesting format of presenting a write-up. Since the words are actually spoken spontaneously the whole text is more readable than the usual essays that are written out in the formal style.

My own essay is the one read out during the “Reflections on the Way” talks on the occasion of the April Darshan this year. It is titled “The Significance of the Mother’s Final Arrival in Pondicherry” and highlights the importance of the April Darshan and how it was started.

This issue of the Mandir Annual has an interesting variety of essays and every type of reader will find something to his or her taste.

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Zindagi Na Milegi Dobara

zindagi-na-milegi-dobara

After watching Zindagi Na Milegi Dobara one has the feeling that it is the sister of Dil Chahta Hai. That’s because the director of Zindagi Na Milegi Dobara, Zoya Akhtar, is the sister of Farhan Akhtar, the director of Dil Chahta Hai. The two films are about friendship between three young men, male bonding and growing up. The women are part of the script but one tends to forget them when one thinks of the message of the film.

The three young men are very different one from the other and the inner dilemma of each of the three men is brought out very skilfully. The film ends on a high note, as each one finds a solution to his problems. As in a good novel, a good film is one where the protagonists evolve and are transformed.

To most Indian viewers the film will be a free trip to Spain, where they will get an opportunity to see all the tourist attractions and get an introduction to Spanish culture. In fact, this travelogue aspect of the film softens the psychological pressures that the characters are going through and which the viewer has to share. By eliminating India altogether has Zoya Akhtar created a silence in which we could listen very attentively to the story and the problems faced by the three men.

It’s good to see that friendship is back in the limelight and romantic love is put on the sidelines. After all, friendship was once a common theme in Hindi films. As my friend and novelist Christine de Rivoyre says, “Friendship is stronger than love.” So even though we see Katerina Kaif and Hrithik Roshan enter an intense relationship, what remains as the aftertaste of the film in the mind of viewer is the depth of friendship and how it acts as a fulcrum on which the three young men are raised higher in their inner growth.

katrina kaif

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This too is India

I wrote some time back about an incident which showed one of the things that is wrong in our country. Now I have to set the balance right by speaking about the positive things that exist side by side in India.

This happened about a month back. I was coming home one evening on my scooter when it stopped and I realised to my dismay that I had run out of petrol. So I started pushing it to the nearest petrol station which was almost half a kilometre away. I had taken about ten steps and was beginning to sweat already when a total stranger came up to me on his motorcycle and asked, “Have you run out of petrol?” I told him that I had. Immediately he asked me to stand where I was and offered to go and get some petrol for me. “How can you push your scooter that far?” he said as he went off on his motorcycle towards the petrol station.

I saw him disappear into the traffic, not sure whether he really meant what he said. I stood near the pavement, exactly where we had spoken to each other and waited for him. I said to myself, “In case he was just talking in the air, he will not come back. I will give him twenty minutes and then go away. I will make use of this wait by making a few phone calls.”

I made my three phone calls as the traffic continued to flow on that road. I had hardly waited 15 minutes when I saw the man reappear. He stopped near me, pulled out a plastic bottle in which he had brought half a litre of petrol and handed it to me. I was really surprised. “There is just enough petrol to get to a petrol station,” he said. I didn’t know how to thank him, but in the end I did find the words.

“I felt sorry for you,” he said “when I saw you pushing your scooter. How far could you have gone like that?” Then he rode away on his motorcycle. He was a complete stranger and he had done me such a great favour that night. My faith in humanity was restored, I must say.

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Exhibition of paintings

We are in full phase of preparation for the upcoming exhibition of Giles’ paintings.

The pictures can be roughly divided into four sections – Japan, India, France and scenes from the imagination. The paintings which show Japan are a reminder of our trips to the country which has not ceased to fascinate us. The wonderful thing about this collection is that there is such a variety. Not only do we see the East and the West but there are also streetscapes, landscapes, interiors and symbolic representations.

The gallery where the exhibition will be held is in a charming little pedestrian square which is full of restaurants and little shops, only steps away from the well-known Curzon Cinema in Mayfair. Tucked away between attractive shop windows and next to animated groups of people dining, the gallery fits into the surroundings perfectly.

We just hope that the weather remains sunny and bright for the week of the exhibition – from 19th to 24th July.

Restaurant, Nippori (2009)

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Do Dooni Char

Do Dooni Chaar

The National Awards this year seem to have brought a few question marks to people’s minds. The one film, however, that seems to have got everyone’s nod is “Do Dooni Char”.

I was convinced for all these years that Rishi Kapoor didn’t know how to act and that he had become a star just by flashing his sweet smile and by generally charming the ladies in the audience with his chocolate-box looks. But this film has made me change my mind for good. Rishi Kapoor and Neetu Singh are better actors than all the high-paid heroes put together.

The best part of the film was the screenplay. The dialogues were so true to life and the two children straight out of any middle-class Delhi family. Gone are the sweetie-pies of old films where they existed on screen only to pull tears or laughter out of the viewers. These are real kids with real rants and real aspirations. At last Indian viewers can stomach reality.

The pace and editing were fantastic and the casting of the two children was spot on. What came out over and above everything else was the message of the story. In the land of Guru-Sishya parampara, this was long overdue. What teachers go through everyday and how undervalued their jobs are is a message that one can not miss.

Perhaps the rest of the world will wake up and understand that Indian films have changed and that there are some really interesting stories being told by the young filmmakers.

For those who remember Rishi Kapoor and Neetu Singh from their romantic films from the 70s “Do Dooni Chaar” will be a treat. We see the middle-class couple in their shabby clothes but we know that they are really the hip couple who made us dream, laugh, hum their songs and dance when they were young.

Rishi Kapoor, Neetu Kapoor

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Khelein Hum Jee Jaan Se

It took me months to get hold of a DVD of this film and that fact alone shows how badly it did commercially because in India DVD piracy is a fact of life. You can get a DVD copy of any film for thirty rupees these days. Again it is no surprise that this film went unnoticed by everybody and no one could even remember this name within a year of its release. History just isn’t anybody’s cup of tea in India.

Clearly this is a labour of love because a director like Asutosh Gowariker isn’t that ignorant about people’s preferences and yet he went ahead and made a film which tells the story of the Chittagong Uprising in all its details bringing the past alive before our eyes. Unfortunately there are very few people who actually know about this episode of Indian history and who can connect emotionally or intellectually to this story. Ask anyone under the age of 40 if they had ever heard about this daring attempt to shake the British Raj and you will hear a resounding “No”. It was not only a tale of courage but also a very tragic tale.

How can it be that such a heart-rending story of our Freedom Movement is so absent from our curriculum? It is quite possible that the stories of the Bengali Revolutionaries were deliberately suppressed. Somehow people, including the Bengalis themselves, feel ashamed to admit that there was a violent revolution. The Indians want the world to believe that independence was won through Gandhian non-violence. Of course, this will also make the Nehru-Gandhi legacy continue, making it more convenient for everyone.

On the plus side of this film’s production is the casting. Abhishek Bachchan was very aptly chosen to play Master-da. After all he has a very Bengali face, being Jaya Bhaduri’s son. He also had a purity about him which was needed for that role. On the other hand Deepika Padukone was not convincing at all. The way she chose to wear her sari, which was too low at the waist for a character who is supposed to be fighting for the country, clearly showed that she was more interested in looking attractive than being Kalpana Dutta.

The sets looked authentic, specially the exteriors of houses, but the minor characters didn’t look too real. There was something in their clothes and hair-styles that wasn’t quite right. Having said that, it has to be admitted that the research that has gone into writing of the script is amazing. The film is based on the book by Manini Chatterjee (Do and Die) who is the real-life daughter-in-law of the main female protagonist, Kalpana Dutta. The producers may not have recovered the money that they invested into this film but they deserve our gratitude for bringing to the world of cinema such an important collection of historical facts. So what if the entertainment -crazy public rejected this very well-made film? It can become an invaluable part of audio-visual teaching material in class-rooms.

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Review: Dhobi Ghat

dhobi ghat

When this film fist came out I was really not interested in watching it because I had no special feeling for Mumbai. But over the months I was more and more curious to see the performance of Prateik. And that is what finally pushed me to get a DVD and see it. His mother Smita Patil was my favourite actress and I can still remember the day she died. I was about to have my morning cup of tea before getting ready to go to work. Before having my first sip I opened the newspaper and saw the news of Smita’s death. I remember I was so shocked, so heartbroken, that I couldn’t drink my tea.

I first saw Prateik in a film called “Jaane Tu Ya Janena”, one of those usual Bollywood films. He had long hair, which was quite striking, but it was not only his hair. His face compelled you to look at him. One could already see that he has his mother’s looks and surely some of his mother’s talent too.

In Dhobi Ghat he plays a role of a washerman and is somehow connected to the central characters. He plays this role, which has a streak of innocence as well as the ambition of every young man of Mumbai, very convincingly. There are scenes which really remind you of Smita’s very natural style of acting.

I am glad that Prateik made me want to see the film because now I know that Indian cinema has finally come of age. The script has a maturity which proves that new directors have started thinking of a film script as a piece of literature. Kiran Rao has very skilfully woven the different characters into one story which is actually the stringing together of many stories. She has written from her own experience of what it is like to live in Mumbai, where everyone is alone and yet in a strange way connected to everyone else.

At last, one can see the everyday reality of urban India and at last, we have characters which are painted in various shades of grey. They are real flesh and blood people who speak the language of the urban Indian. There are many elements that make the viewer instantly connect with reality – the laundry boy who aspires to be an actor, the artist who wants to be left alone, the NRI woman who wants to get to know the real India, the young bride who is homesick and lonely, the underworld and its connection with the wealthy…
The great city brings the high and the low together.

For a first film this is a remarkably sophisticated work. However, this does not come as a great surprise. After all, Kiran Rao is Aamir Khan’s wife and has been in the field of cinema for a while. The element of surprise is that the writing is as well crafted as the direction. The fact that this film is the work of a woman somehow makes you sit up and watch it more carefully.

Keep it up, Kiran Rao!

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This is India!

In 2008, while I was in London, my mother was living alone in Pondicherry. One night while she was walking home alone two men came from behind on a motorcycle and the one who was sitting behind snatched my mother’s gold necklace. They speeded away and disappeared in the traffic of the main boulevard. My mother, in a shock, knelt down and tried to see if she could at least find the pendant which might have fallen down on the road. Just then two very kind men from the Ashram came along and helped her to her feet and took her home. They also helped her to file an FIR at the police station stating that her gold chain had been snatched by two thieves. My mother, at that time, thought that it was not worth the trouble. But the two men convinced her that it was her duty to complain, that crimes which go unreported go unnoticed.

In the weeks that followed there were some more cases of gold chain snatching in and around that same area in Pondicherry. The thief, confident about his success, then went a bit too far and snatched a very heavy gold necklace from a woman who turned out to be a minister’s wife. He used the same modus operandi. He waited outside the Ganesh Temple one Friday when hundreds of people come for the special puja, then went on his motorcycle with his accomplice and snatched this lady’s thali, which was probably half a kilo of gold. The minister immediately got the whole Police force to start a combing operation and the thief was caught. When the police searched his house they found several gold necklaces which he had cut up into small pieces. He was going to sell each piece in a different town of Tamil Nadu. Actually, he had already sold several necklaces in this way, cut up into little pieces, in Chennai.

A few months later my mother received an intimation from the police saying that the gold that had been found in the thief’s house would be melted and made into little ingots and each of the victims who had filed a complained would be given a piece. We could not believe that this was actually happening. Surprisingly, the police had decided to give each victim the same amount of gold that had been stolen. My mother at first very naively believed someone who told her that some necklaces had been found in the thief’s house and each victim would be asked to go and identify her own necklace and take it.

I too very naively believed that my mother would have to just walk into the police station and walk out with the ingot. When I went to the office of the Senior Superintendent of Police I was told that I would have to engage a lawyer and file a petition asking the court to restore the gold to my mother. The long chase began. I had to go more than once to the police station to find out the right man who I had been asked to contact. The inspector who was supposed to help me gave me the address of a lawyer to whom he explained the situation. Finding the lawyer was one long adventure as his office was in a dusty nameless lane. Several months later I was told that the case had come up before the judge but at that time my mother was not in town so it had been dismissed. When I tried to start the whole process again the inspector through whom I had contacted the lawyer had been transferred. When I phoned the lawyer he said that in any case the gold ingot would be given to my mother when the thief was convicted. He thought that it would happen in a year’s time. I was convinced the case would drag for ten years. I went back to the police station several times, then to the court several times. This time I was told that the judge had been transferred and that the new judge had not yet been appointed. When the new judge came to the post it was time for the summer holidays of the court. I waited for an entire year before again going back to the court via the police station. This time miraculously there was a constable who understood what I was saying. He immediately called a lawyer who was somewhere in the vicinity. He looked like the typical lawyer. I mean, if I had been making a movie where I needed a lawyer I would have cast him as one. He had that glint in his eyes and the usual smooth talk.

Within minutes the forms that had to be filled up materialized before me. “I’ll have them typed,” said the lawyer and disappeared in a rush, his black gown billowing behind him. He was back within half an hour and just as he was about to get my mother’s signature, he mentioned very casually that he was going to charge an amount which was about three times the amount that he should have asked. When I looked at him in amazement he said, “I would have charged you more but the constable asked me to take something less because you are two helpless ladies.” When he turned his back the constable told me that he had never said anything of the sort. Obviously, the lawyer had wanted to squeeze something out of us because indeed we were “two helpless ladies”.

I bargained with him and got him to come down to two-thirds of the amount. He insisted that he was asking so much more because he would get everything done within three working days. “And you have to only come back once more to the court,” he added. Then he collected 50% of his fees. The next day the constable phoned saying that I had to get a couple of documents as proof of identity of my mother and come to the court so that a date could be given for the hearing. I ran with the copies of those documents to the court after which I was asked to contact the court clerk. When I located the court clerk he just looked here and there and in general behaved as if he was physically in pain or that he couldn’t speak. I just could not extract an answer from him. The lawyer saw me from far and came running. He wanted the remaining part of the payment. I couldn’t understand how he thought I was going to hand him all the money when he had not even got a date for the hearing. Did I look that dumb?

The next day I was told that the date had been fixed for the next day. My mother and I presented ourselves at noon but had to sit there for more than an hour before being asked to come back the next day. We went, with two cushions and a water bottle, knowing that we would have to sit on hard wooden benches for hours. An hour later we were asked to come back the next day. When the lawyer saw our look of disappointment he said, “You should not complain. After all, you are getting something back by God’s grace. Have you ever heard of the police returning stolen gold?” We realized that what he was saying was absolutely true so we went home. Most of the time the lawyer behaved as if we didn’t deserve any respect. He didn’t hesitate to come running and asking me to keep quiet because I was asking how long we had to wait.

We had to come back to the court several times again, once because the clerk had decided to take the day off and we could not get our hearing scheduled, and wait for long hours before finally we were told to come to the magistrate’s chamber. We waited again for half an hour then the lawyer said, “Take your shoes off before entering the magistrate’s chamber. It’s disrespectful to stand before so high an authority with your shoes on.” Were we in the times of the British Raj or what? When I turned around I saw that neither the lawyer nor the constable had taken their shoes off.

Finally, the magistrate handed us the little ingot. “There is a certificate which guarantees that this is 12 grams,” he said. I asked him if there was a guarantee about the purity of the gold. “How many carats is that?” I asked. The magistrate laughed and said that the paper said nothing about that. I took the ingot out and it looked like pure copper to me. I held it against my mother’s gold bracelets and it looked too red to be gold.

As we stepped out of the court room, the lawyer came near me and said “You know, the clerk wants to be paid something.”
“I am not going to give him a rupee!” I said strongly because I hadn’t forgotten how we had to go back one day because he was absent.
“You must be from France,” said the lawyer, “that’s why you don’t know that it’s normal practice to pay the clerk some bakshish.”
“I am not from France. Why don’t you give him something from the money you have earned?” I told him.
“These are honest people!” he said, as if to say “These are aliens from another planet.”
That is when I understood that inexplicable look in the clerk’s eyes some days earlier. I hadn’t got it then!
By this time we were heading for the lift and the lawyer was running after us for the remaining part of the payment. After paying him I understood that he had been asking me to pay so much more because he thought I was a French national.

I was right. It was too good to be true. The court was not giving back to my mother what had been stolen. It was, in fact, trying to get her to come so that some other thieves – the wily lawyer and the clerk – could steal something more.

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‘The King’s Speech’


The temptation to watch “The King’s Speech” was almost irresistible. So, along with a few friends, I saw the film a week back and felt that it deserved every award that it has won and all the nominations were totally justified. The story is a page from British history that I know quite well. But the film goes beyond history, right into the deep recesses of the human heart. It is less about a king and more about a man struggling to overcome his weakness. His perseverance is extraordinary and inspiring.

What the king does is so much akin to an athlete trying to cross that hurdle without falling or jump over the bar without touching it. Every actor, dancer, singer must know this – how hard it is to make your body do what your mind wants it to do.

The film definitely succeeds in bringing across a message of hope and compassion. If it gives the courage to even one human being to take the difficult steps that lead him or her out of a personal difficulty then the money spent to make this film is money well-spent.

I must say that I was baffled to hear Helena Bonham-Carter call herself a “loser” on Oscar night. She has already won other awards for this role and she surely knows that in the end people forget the awards and remember the role. Maybe being a star she doesn’t know this. Maybe she has never met common human beings like me who are not so well-informed about all the awards but who can never forget a performance they have enjoyed or have been inspired by. Surely, that award has a greater value which is given from the hearts of the admirers across the globe and which Helena Bonham-Carter will continue to receive for many years to come.

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